"Composition (No. 1) Grey-Red," painted by Piet Mondrian in 1935, is a prime example of his mature abstract style. This artwork is characterized by Mondrian's distinctive use of geometric forms, a grid structure, and a limited colour palette.
In this composition, Mondrian employs a grid of rectangles and squares, creating a sense of order and precision. The grid serves as the underlying structure that organizes the various elements of the painting. The colours used are primarily shades of grey and red, demonstrating Mondrian's commitment to a reduced and essential palette.
The red and grey areas are arranged in a balanced and harmonious manner, and Mondrian carefully places them within the confines of the grid. The geometric shapes and the relationship between positive and negative space contribute to a sense of equilibrium and visual clarity.
Mondrian's approach in "Composition (No. 1) Grey-Red" reflects his dedication to neoplasticism, an art movement he co-founded as part of the De Stijl group. Neoplasticism emphasizes simplicity, abstraction, and a focus on the fundamental elements of art—particularly the use of primary colours, geometric shapes, and straight lines.
Overall, "Composition (No. 1) Grey-Red" exemplifies Mondrian's commitment to the principles of neoplasticism and his pursuit of a universal and timeless visual language through geometric abstraction.