Composition No. 4 with Red and Blue by Piet Mondrian - Wall Art Rolled Canvas Print

£9.99

Size

ROLLED CANVAS PRINT

Printed using only high quality inks on gallery grade 280 GSM fine art canvas with a smooth matte finish to ensure a sharp vibrant image. Includes a two inch white border to assist with mounting or framing.Orders dispatched the next working day. Estimated UK delivery 1-2 days, international 8-10 working days or less.

Composition No. 4 with Red and Blue by Piet Mondrian

"Piet Mondrian's Composition No. 4 with Red and Blue" is a seminal work in the evolution of abstract art and a prime example of Mondrian's mature style, often associated with the De Stijl movement. Created in 1935, this painting reflects Mondrian's fascination with geometric abstraction and his pursuit of a universal visual language.

The canvas is divided into a grid of rectangles and squares, defined by bold black lines. Mondrian employs a strict geometric structure, emphasizing horizontal and vertical lines that intersect to form a series of rectangles of varying sizes. The composition is dominated by the primary colours of red and blue, along with non-colour areas filled with white and black.

The red and blue rectangles in Composition No. 4 are positioned meticulously within the grid, creating a sense of equilibrium and order. The colour blocks are flat and lack any shading or gradient, contributing to the overall simplicity and clarity of the composition. Mondrian believed that reducing art to its fundamental elements—straight lines and primary colours—could evoke a universal and harmonious beauty.

The strict geometry and use of primary colours in Composition No. 4 with Red and Blue reflect Mondrian's commitment to abstraction and his belief in the spiritual and emotional power of art. This painting is a visual manifestation of his quest for a harmonious balance that transcends the physical world, aligning with the principles of De Stijl, an art movement he co-founded. The work remains a testament to Mondrian's influence on the development of modern abstract art and his dedication to the exploration of visual harmony through geometric abstraction.