The Swan, No. 12, Group IX-SUW (1915) by Hilma AF Klint - Wall Art Rolled Canvas Print

ROLLED CANVAS PRINT

Printed using only high quality inks on gallery grade 280 GSM fine art canvas with a smooth matte finish to ensure a sharp vibrant image. Includes an additional 1.5 inch white border to assist with mounting or framing. Please add a note when ordering if you do not require a border.Orders dispatched the next working day. Estimated UK delivery 1-2 days, international 8-10 working days or less.

The Swan, No. 12, Group IX-SUW (1915) by Hilma AF Klint

The Swan, No. 12, Group IX-SUW (1915) is an abstract painting by the Swedish artist Hilma af Klint, one of the pioneers of abstract art. This work is part of her larger series titled The Swan, which belongs to a broader spiritual and symbolic project she referred to as the Paintings for the Temple. The series is rooted in af Klint's deep interest in spiritualism, Theosophy, and her belief in the interconnection of the physical and spiritual worlds. Her goal was to convey universal truths through symbols and abstraction, long before abstract art became popular in Western art movements.

In The Swan, No. 12, af Klint uses bold, symmetrical compositions to explore dualities and opposites. The painting features two highly stylised swans, positioned face to face, their bodies merging into symmetrical geometric forms. The two swans represent opposing forces—such as light and dark, spirit and matter, or the conscious and unconscious mind—locked in a symbolic dance of unity. The fluid lines of the swans' necks extend into circular forms, reinforcing the idea of balance and the cyclical nature of existence. Af Klint’s use of soft curves and contrasting colour schemes, such as black, white, and gold tones, adds to the spiritual and otherworldly atmosphere of the painting.

The artwork reflects her visionary approach to art as a medium for conveying metaphysical ideas. Through abstraction, Hilma af Klint sought to go beyond mere representation, reaching into the realms of symbolism and mysticism to evoke deeper universal principles. Her paintings, including The Swan, No. 12, are often seen as meditative and introspective, encouraging viewers to engage with the spiritual and transcendental themes she was so passionate about.